Rebecca K. Reynolds

Honest Company for the Journey

The List (Thoughts on Thanksgiving)

When November rolls around, people start making The List.

“I’m thankful for my husband.”

“I’m thankful for food on my table.”

“I’m thankful for my favorite sweater.”

“I’m thankful for the chance to go to the theater tonight.”

It's sweet to watch. It reminds me of a kid gathering up all his favorite toys into a pile and feeling all warm and fuzzy about owning them.

But if this is as far as we ever go with thankfulness, The List can also stir up questions.

The List can make us fearful about losing something on it.

The List can make us remember people who were once close to us but proved harmful.

The List can even make us feel a little dishonest, because there are parts of life that have hurt so deeply that what's left feels more like a consolation prize than a grand stash.

The List pokes at us like a finger in the shoulder. We are glad for it, but there has to be more to thankfulness than this.

There’s a story in the book of Luke about a guy who has made The List.

He’s done the inventory, and he's sitting before the pile. It warms him to see his abundance, and he's so grateful that he has made plan to protect The List long term.

"But God said to him, ‘Fool! This night your soul is required of you, and the things you have prepared, whose will they be?’"

The same is true for us. In a flash it could all be gone.

Relationships break down.

People die.

Jobs get lost.

There is violence, and war, and chaos.

There are corrupt leaders and economic crises.

And even though it’s important to be thankful for gifts like snow, or chai lattes, or warm beds, or having your kids home for the weekend... none of that is big enough to turn the inevitable question mark that lingers at the end of every statement of thanks into a period.

The subject of thankfulness is you, but for it mean much, there needs to be receiver for the verb.

Thankful to whom?

The past few years of our lives have been a mighty stripping down.

So many things that would have been on my list ten years ago are gone.

I’ve seen my children hurt. I’ve seen my husband wounded. I've been embarrassed, and angry, and disillusioned, and fatigued. I’ve seen trusted friends turn into enemies. I’ve walked in spiritual and economic deserts. I’ve come face to face with doubts about who God is and why He works the way he does.

And though I could sit down and collect blessings a mile long of things that I still have going for me, the intense pain of our past few years makes me restless.

I can’t make my list without also knowing how untrustworthy it is.

So I’m sobered this Thanksgiving.

I’m sobered to limp up to the throne of God and kneel before a Being who sometimes makes life gentle and easy, and who sometimes tells Job to get over himself, even after that poor man had lost everything he ever had.

Well, he lost everything except for the God who could speak to a broken man like this:

“Have you commanded the morning since your days began,
and caused the dawn to know its place,
that it might take hold of the skirts of the earth,
and the wicked be shaken out of it?
 
It is changed like clay under the seal,
features stand out like a garment.
From the wicked their flight is withheld,
their uplifted arm is broken.
“Have you entered into the springs of the sea,
or walked in the recesses of the deep?
Have the gates of death been revealed to you,
or have you seen the gates of deep darkness?
Have you comprehended the expanse of the earth?
 
Declare, if you know all this.
“Where is the way to the dwelling of light,
and where is the place of darkness,
that you may take it to its territory
and that you may discern the paths to its home?

 

It's become one of my favorite passages in the whole Bible, and God doesn't stop here, either. He goes on and on.

I am God. You are not. I am God. You are not. I am God. You are not.

You are here to worship me.

Goosebumps.

The thought of that sort of God is abhorrent to moderns who prefer a flannel board Jesus who never roars so loud that the foundations of the earth would tremble.

But to me it is exciting. It yanks me up out of my melancholy and my silly assessment of knick knacks that I try to use like a pacifier in a troubling world.

It shows me what cannot be stolen from me. Ever. No matter what.

The lover of my soul.

He is other. He is creative. He is mysterious. He is singular.

His strength is thrilling. His complexity is electric. His purity is blinding. His power is infinite.

Such a God chases me.

About ten years ago I prayed that God would give me one passion. Himself.

I didn't think at the time about what that prayer might entail. I was so much younger then, and though I was sincere, I prayed it like a simple request. 

Now I wonder if to answer that prayer, the Lord has had to pull my fingers off The List. I wonder if love is propelling Him to remove what prevented me from holding to Him above all?

Because the parable about the foolish rich man with too much stuff ends with a scold:

"So is the one who lays up treasure for himself and is not rich toward God.”

And so it is with Thanksgiving.

Yes, I am thankful for the good gifts that fill my life. But even if all of those things were stripped from me, the Prime Mover, the I AM, the center of all that exists loves me.

This is where the safest, the deepest, and the richest of all gratitude begins.

Love in the Time of Cholera: An Attack on Paris. An Attack on the Courage to Love.

I always try to be brave and say brave things when there is a work of terror. Writers and musicians are put on this planet to collect wounded souls from the battlefield and tend them with beauty, but last night I couldn’t do it. I just sat on my bed and cried for Paris.

Detail from "Guernica" by Pablo Picasso

Detail from "Guernica" by Pablo Picasso

 

Memes started flying through my social media feeds, and I was thankful to see that other people had picked up the gauntlet.

Look for the helpers.
Everything sad will come untrue.
Keep calm and carry on. 

But last night I couldn’t help them sing those songs. I went fetal in my bunker and wept like a scared kid.

I teach high school literature, and some of the best writing I know fits one person’s story in the larger context of a troubled community or nation. My favorite television show is Foyle’s War, and (aside from a horrible crush on Michael Kitchen) I love it because Horowitz juxtaposes individual struggles against the larger context of World War II. He gives us the intimate story alongside the movement of faceless armies.

I don’t think it reduces the gravity of either type of pain to do this. Rather, it reminds us that mass slaughter comes back down to devastated mothers grieving at the kitchen table. And it also shows us that a universe of suffering can be found in a single human heart.

That’s how national tragedies tend to come to us, isn't it? We recount our lives by story, so we remember Hurricane Katrina as the year of our divorce, or 9-11 as the year a parent died, and while we give to relief organizations to help those who are in the bloody fray, images of foreign despair somehow (also) take on the job of illustrating the closest struggles of our hearts. We can only love in the time of cholera.

So I will tell you a little of what happened inside me last night when I heard about the news. I was talking to a friend on the phone about my writing, wrestling through what God might want me to do in the future in light of the violence of my own past.

"Violence" might be too strong a word, or maybe it's not. I can't tell yet.

I can tell you that several years ago, my husband was asked to step down from leading a church he had started, which meant that overnight I lost 250 friends as well as my role as their pastor’s wife. People hear that and assume that there was an affair or something, but there wasn't. Church politics propelled the decision.

This isn’t the place to discuss those details, but I can say that after ten years of watching hard things happen among those people, after years of watching my husband try to absorb those ugly things so nobody else got hurt, after years of waiting for the Lord to rescue us, this final blow nearly killed me. I mean that. I barely lived through it.

My body survived that trauma, but I’m not sure my soul did. I’m not sure my husband’s soul did, either. Last night I was looking through old photo albums, and I see different people walking around in our younger flesh.

In snapshots of everyday life I see the faces of people who ended up kissing us in the garden (Et tu, Brute?), and I am a little ashamed, and a little in awe of the fact that we were ever so unafraid and so trusting.

Maybe you know what I mean because you have your own story like that.

I don’t know what you see when you look back at your old pictures. Pictures of your husband before you knew that he was addicted to strip clubs. Pictures of your son before he got stuck in drugs.  Pictures of your life before the economy crashed and you accumulated more debt than you will ever pay back. Pictures of you before the diagnosis. Pictures from high school before the abortion. Pictures of your wife in the hospital after she gave birth to your daughter, and before she left you for another man.

Life before terror hit.

And you grieve the loss of that life, and you grieve the loss of yourself, because we change in trauma.

We doubt more. We flinch more. We can’t relax again. We can't help it.

I realized some of this last night, and I had to do the embarrassing work of writing two different women and confessing that I had been living out of past trauma. These are brilliant women, writers and thinkers, and they have reached out to me to welcome me into their world. They’ve tried to encourage me and help me.

I have admired them from a distance, but I have also been scared of them, because the sound of bombs still goes off in my head. I can’t shake my nightmares, my memories, images of running screaming and bloody from the rubble.  Every noise sounds like an explosion.

So I try to engage with beautiful people from a safe distance now, because I’m afraid that if I let them get to know me, they won’t like me. Afraid that everything that happened once will happen all over again, and I’m not sure my heart can take that one more time.

But here is Paris. And the goal of terrorists isn’t just death, it’s fear. Terrorists want to use 100 lives, or 250 lives, or 2000 lives to make the whole word afraid to live. Afraid to love. Afraid to engage. It’s a strategy they learned from the very pit of hell.

And this is exactly what I have let happen inside me. I've let them win.

I woke up today thinking about what the explosions of my past have done. Thinking about where I flinch now because of what I’ve been through. Wondering where you flinch because of what you’ve been through.

I keep hearing that God loves us, which is easier to believe at the cognitive level than down in our hearts after we’ve been hurt. But if He does love us, that means something about living here is safe even when living here isn’t safe. It means that something about loving people is safe, even when loving people isn’t safe.

And even when the PTSD tells us the only thing to do is hide, maybe one of the first steps to winning a larger war is taking a breath, and looking a single invitation to friendship in the eyes, and not running away.

 

Last November

You thought it would be easier this Christmas, but it's not.

Last November you were right here in this same spot, giving yourself the same pep talk, "If we can just hold life together a little longer and get through the winter... then I'll figure something out..."

Last November fear and anger rose in your throat, and you had to beat them down so you could stay clear headed.

"Old Man in Sorrow on the Threshold of Eternity" by Vincent Van Gogh

"Old Man in Sorrow on the Threshold of Eternity" by Vincent Van Gogh

There were the same whispers in the corners of the room then.  Whispers that will paralyze you if you let them.

"That woman took everything I had. She ruined my life."
"I trusted that man, and he betrayed me."
"There's never enough money. Never, ever enough money. I work so hard. I'm a good worker, and I work all the time. I don't know what more I can do."
"I can't make another meal in this kitchen for one person. I'm so tired of being single."
"I invested ten (or twenty years) in that team, and once I gave them what they needed, they dropped me and moved on."
"Nothing in this marriage is ever going to change. I've had the same conversations, made the same requests for so long. It's hopeless. I feel numb."
"Why can't my family organize a simple holiday function without being abusive?"
"If I can just make this car (this jug of milk, this coat, this computer, this dishwasher, this pair of boots) last a little bit longer..."

And it's scary. It's big time scary.

You go through the motions of trying to figure it out, because you are the adult, and you have to.

But deep down you feel guilty, because there are books written about how to do life right, and they say you just have to take these ten steps and keep on keeping on. So you try.

Somewhere in the middle of step five of the Next Thing, you get the letter that your insurance rates are going up 35%, and you need to look for a vehicle right now, and you kind of want to punch Dave Ramsey and John Maxwell in the mouth, because life is complicated. It just is.

The world favors tall, alpha men and beautiful, young women, and charm, and manipulation. Cheaters win. Users thrive. Quitters have more fun.

And if you see one more motivational speech from some dude who was flat lucky enough to be in the right place, at the right time, with the right genes, you're going to lose it.

You've got your forehead propped up on your hands, and your elbows on a table, your brain is pounding, your adrenaline is high (fight or flight), and when you remember that the Bible says that God will never let the righteous crash into smithereens, you wonder if you weren't righteous enough to qualify for the platinum level of blessing, because as far as you can tell, he lets some people hurt awful bad for an awful long time...

And here. Here's where it happens.

This is the volta. The apogee. The opportunity.

"It is during such trough periods, much more than during the peak periods, that [the human] is growing into the sort of creature [God] wants it to be. Hence the prayers offered in the state of dryness are those which please Him best."... "[God] wants them to learn to walk and must therefore take away His hand; and if only the will to walk is really there He is pleased even with their stumbles. Do not be deceived, Wormwood. [The darkness] is never more in danger than when a human, no longer desiring, but still intending, to do [God's] will, looks round upon a universe from which every trace of Him seems to have vanished, and asks why he has been forsaken, and still obeys."

(C.S. Lewis)

Which means these are sacred snarls and holy tangles.

This is what it feels like to be in the middle of a story.

Hell names the vortex but misses the meaning.

Hell names your best classroom a prison.

I wish I could be the wind, and put my fingers through your hair, and whisper over you.

I wish I could tell you a story and remind you that even dragons and witches have edges.

I wish I could let you know you are seen, and that your best, loneliest decisions have not been wasted.

I wish that I could hold all you fear you have wasted up before you and show you that your life is not lost, but it is here, and here, and here.

I wish I could remind you what is to come when "He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.”

Courage, dear hearts. Courage.

His First Communion

Walking into the handsome old sanctuary of First Broad Street Methodist Church, I see communion sitting on the front table. We don’t do communion every week in my church, so finding it there always makes my stomach flip like the Pevensies at the name of Aslan. This is not just a ceremony for me, it’s a wardrobe door, a direct line into unseen dimensions.

Thanks to John Wesley, you can let your heart be strangely warmed in a Methodist church without a bunch of theologians who never let the living God step past the iron gate of their analysis telling you why inspiration is really just a case of sausage indigestion.

And so I can relax here in that quiet way Methodists do. I welcome instinct and inference into my flickering child soul, where the sacrament becomes a hard reset, a call to lay down my attempts to achieve goodness (or defy it) and like a baby, drink down grace into the thirst of utter dependence.

Today is my son’s first communion. He knows what God’s love means now, and he’s ready for this. He’s been waiting for this day for weeks.

Halfway through the sermon he has to pee, but while he wiggles his butt around on the pew pad and pinches his thighs together, he whispers in my ear, “If we go now, will I miss communion?” I say no, but he’s still a little nervous slipping out the doors.

I love the sacrament, but it also sobers me. Like all holy things, it seems to be alive in a way I can't quite describe. Maybe the bread and wine don't morph into the actual body and blood of Jesus, but something more is going on during this exchange than human animals sucking down crackers and grape juice, and I can feel it. Even if the Catholics don't get it quite right, they are pretty close to whatever it is that is taking place here. Words are metaphorical, after all, and this is both a mystery and an intersection.

In our old church there was a group of twenty-somethings who would snarf the communion remainders after the service. They would laugh and throw down so recklessly, but I couldn’t join them. I don’t mean they were wrong, perhaps this is the best way of all to receive grace. I just mean that for me, I have to take it slowly and let it work through me. It's too mighty to forgive and be forgiven.

One of the smartest agnostics I know can't get over the difficulty of that one concept. Forgiveness. It's a hard math because of the simplify of the equation. Maybe harder for some personality types than others.

A few weeks ago I received a random Facebook message from a friend who lives across the ocean. He was praying and felt like God was leading him to exhort me to lay my bitterness aside and forgive those who had hurt me.

I wouldn’t give much weight to a message like this from a lot of people, but this man is sensitive in prayer. He has a radical sort of trust and sensitivity that has been proven in the past, so I began to ask the Lord what he wanted me to do.

It's true that I've been at an impasse with several folks who hurt me. I’ve reached out to ask them to reconcile so many times, but I've asked with boldness and with open grief, and for the most part, I have only received silence in response.

As best as I can, I’ve tried to forgive and move on. Lines of anger still rise sometimes, but mostly that anger is sadness. I don't want the relationship to end this way.

So when we get to the part of the liturgy that says “forgive us our trespasses as we forgive those who trespass against us,” I scrape the insides of my heart and once again chose the grace-in-process that I guess all people choose in the middle of conflict. If I saw their faces right now in the room with me, I would flinch. But they are not here, and I do the best I can.

I pray God’s mercy for them, imagine the best of them, visualize us together one day in glory, and pry my fingers off old claims. “Take it, God,” I say. And I’ll ask him to do that for the rest of my life, I suppose.

Before me are rows and rows of older people... a sea of white puffs of hair and bald heads. I attend this service for that very reason, to watch their beautiful hands on the hymnals, to hear their shaking voices sing and pray beside me, to feel the softness of their palms on mine as they say, "Peace of Christ to you." As far as I can help it, I plan to never worship again in a church that isn’t full of the merry faces of the elderly.

Before service the narthex is a flutter of suits and synthetic dresses. Hearing aids. Faded costume jewelry. Glasses chains. Walking sticks. The smell of roses and powder from a powder box. White foundation smeared over with blush that is too bright. Tidy polished shoes. Ages spots. Lipstick seeping into wrinkles.

Little old men wobble to the parking lots so they can wheel Cadillacs to the back walk and pick up their wives. There are the wealthy ones, too -- the carriage of wealth isn’t moved by time.

Friends in their seventies and eighties exchange the sort of laughter people my age can’t produce. These folks  learned to laugh before the world got cynical, and they have kept their musicality. I love them for being bright and jolly, though it’s a mystery to me how this sort of spirit works. They are aliens. They are Native Americans who gather around strange fires to play Rook and smoke peace pipes. My people have taken over their land.

I watch them twenty feet away and think surely it must hurt somehow to have lived that long. Children and friends betray. There are losses and wrongs done. But their souls float, though they are bent over in their spines, and I know they must have released life's poisons instead of holding them inside their mouths.

When we walk up to the front to kneel, my son holds out his little fat hands for the communion.  “The body of Christ, given for you,” a woman says. She says it intentionally, meaning every word, and I get choked up watching that soft white bread fall on his palms.

He is forgiven, and he will forgive. He is running over with laughter and courage, the same sort of levity as that of the old people who look at him so fondly as he bounces about. They are cut from the same cloth.

Then she puts the bread in my hands. “The body of Christ, given for you.”

“Thank you,” I say, while the faces of those I am forgiving flash through my mind, and while the faces of those I have offended come too. But I can only reflect for a second, because my son shoots up from the kneeling bench giddy. He has done it! He has done it!

2+2=4. 2-2=0. He knows the math of this better than I do. Simple. Free. Moving on to the next good laugh that comes to the light of heart.

The Current and the Resistance

The other day I was trying to get out of bed, still half asleep and uncoordinated, when my hand bumped into the back of my thigh. I thought, "What IS that soft, warm thing? And why is it in my bed with me?"

Pre-coffee brain, but still, I didn't recognize my own flesh. Why? Because it didn't feel strong and lean like my leg feels. Or used to feel.

"Crowded City" by Mark Tobey (1974)

"Crowded City" by Mark Tobey (1974)

For the past year or so, I have had a quadriceps tendon injury, and I haven't been able to exercise like I want. I've been to the orthopedic twice, but things still aren't right. It hurts to go up and down stairs, to sit down, and to stand up. I tried to hike in the mountains last week, and a couple of steps I planted were dangerous, because I couldn't trust my own balance.

You might not notice the difference if you looked at me. I have an easy metabolism for a woman my age. But I can tell the difference, because I remember how I was before. I don't like the change. I want to recognize myself; I want to be who I think I am.

It's frustrating that a small wound could lead to inactivity, which folds into a sedentary life that - poof - makes weak middle aged people. One injury causes twenty more, and then life begins to serve the body instead of the body serving the life. People get trapped inside themselves this way. It's quicksand.

I've been thinking about it ever since, and I've realized that this is not just a problem of my physical body. When I look at other aspects of my life, I see a similar atrophy.

Sore places in my soul have discouraged me from moving certain muscles intellectually and spiritually:

"My last church hurt, so I won't get so involved this time."

"I've already tried to work through that issue with that person. It's never going to work between us."

"There's so much I need to read, I can't get going, because it feels overwhelming."

"All politicians are corrupt. I'll just disengage."

"The Bible confuses an hurts me sometimes, so I'm going to avoid it."

That sort of thing. I've favored my injuries here and here and here. Relationally, ecclesiastically, academically, artistically, I've restricted my activity. I've let a flinch discourage me from stretching, from working through exercises of rehabilitation. It's been easier to sit still and pass time and hope somehow the problem just goes away without attention.

Thank God for curious, intelligent friends. I can feed off them some. I can trust them to throw good food to the ducks. I can trust them to pull me up to the top of the water when I'm drowning. They lug me onto the beach and breathe their own air into my lungs.

Still, my brain and heart are growing silly and idle in certain ways. I'm on government cheese, snacking on whatever gibblets and scraps come my way.

The internet is part of my problem. It's so easy to scroll through social media feeds, licking the icing off all hundred e-cupcakes at the party. I take a bite of a provocative headline and chew up a five paragraph post, but it's more work to read a book, and it's more work to dig into real research. It's more work to do the work of listening and asking questions. It's more work to gain truth slowly and deeply. Living not doing that work is easy, but it is making me soft.

I'm not quite sure what the solution is. Most of the world is tumbling along beside me in this passive current, and because I'm a writer, I need to spend time here, because I have to be fluent in the impulses and language of our time. My toolbox is the vernacular. I need agility with clickbait and felt needs.

And it's not just a matter of building a platform. It's a matter of love. Let's say I spend hours writing grand and complicated essays that only fifteen people will ever read. What good does that do? If that is what God's called me to do, it does great good. I could ask for no more than whatever he gives me.

But if I do that out of pride, out of self-centeredness, out of an insular or withdrawn heart, what opportunity have I missed? Jesus came down to earth and told simple stories out of love, even though he knew plenty about microbiology and quantum mechanics. And he told me to go forth into the world and make disciples.

Good writing doesn't happen in a vacuum. It's covered in sweat road dust. It spits and makes mud. It's plebian.

Still, it's one thing to choose simplicity and another thing to be simple minded. I don't want to get soft because I'm not working out my mind or my heart. I don't want to flinch and avoid, and then write what is easy. I don't want to just chew the cud.

I want to do that work of spending time walking on my own two feet, and then collapsing while I'm carried. I want to dig in hard things, instead of just grazing off whatever my friends drop in my tin cup. I want to go dig underground in the annals of the world, and in the vaults of my hardest truth, and get honest, and get stronger in the difficulty. I want to stop running away from this terrific loneliness and sit in its company and see what it has to teach me. In all of that I want to bring up treasures that do people good, because life is short, and I'm here to give.

Wounds are instructive, but so is physical therapy, and so is intellectual therapy, and so is spiritual therapy. What is my laziness preventing me from doing? How can I refuse to let sore spots make make every choice for me, rejecting Coke-bottle spectacled myopia and a belly full of cultural Doritos? How can I fight for what's waiting to be discovered? How can I live outside the box -- no outside the screen -- aware of what is atrophying in my heart and leaning in instead of away?

I haven't figured it out. I don't want to live in an ivory tower. I don't want to depend on the strength of my own will when I need to learn to rely upon God's resources. But I also know sometimes hard things are worth doing, and that the power of the gospel can become even more clear when we take risks like these. I don't want to just resign. I want to do this work, even when it hurts to stand up from sitting; even when I have to fight myself to get out of bed half an hour earlier to push against the resistance band that pinpoints my weakness to make me stronger.


 

 

 

Free Writing in the Mountains

It is dark where I am sitting, down on these cool, wet rocks at the bottom of the falls. Everything close around me has drifted here in death, bits of branches, yellow leaves caught in little eddies, a fairy circle, a wizard's kettle stirred by Puck's finger, light tumbling to the tops of these dark mountain pools, then running round by currents like a flurry of koi in a hotel lobby in Beijing. 

Halfway round the world from here, humans have reduced progress to concrete and hell smog. I wanted to breathe dignity in those masses, crawling like ants. They have forgotten who they are, and though Americans are proud and fat, it still hurts me to see anonymity more. I think that no one could love a large government who had studied what trust in man has done to those great, old cities. For Babel has always been Babel, and Babel is Babel even still. 

And yet the Eden-starved soul still carves out divots of grandeur for fish to flicker and dive. We are not fully lost to the crowdings of our highways, to our production, to our cognition, as long as wild beauty speaks to what is yet ruled by the instinct. I have hope for the line of man, for when we stumble upon October kneeling down before the roar of coming winter, we gasp, for it is a holy thing to see a saint die in ecstasy. 

May God give me this death, too -- what the birch trees know as they reach for the sun and catch a vision of the heavens opened, and then burst out laughing while men in dark masks work to cut off their heads. The trees laugh in the face of twenty years or sixty hacked off  and thrown into the trunk of the swing low, sweet Chariot, or the Subaru, or eighty years pressed flat by nursing home pneumonia  --- swing low, sweet Chariot, coming forth to carry me from what has never been my home to what will be familiar forever at first sight.

The treetops open into a blue sky overhead. Leaves are lemon, lime, and mustard ochre, with shadows in burnt sienna. The trunks run straight here, type-A students in perfect posture, long and lean. And yet, everything the sun touches in the heights looks like a child drew it with a crayon. Bright, primary colors, moving with a wind I cannot feel down here in the cool forest floor, folded between two forty-foot rock walls. 

Tracing the water up, I see a spray at the top. Pretty little balls of liquid light, popping and levitating, then off to the right, long, thin, white tendrils of water, soft and gentle like the hair of a poor, pretty little blonde girl. 

Down still more, the water crashes upon a plateau. At the resistance, the spray has spread over rocks where moss grows. Dead things are stuck here. It is a purgatory. A desperate middle ground. A broken stick caught halfway down, beaten every second, and yet the ends are jammed between two rocks. The only way it can finish its journey is to break, and something about that catches in my throat, because I have been there, too.

Leaves are caught in webs the spiders have thrown across the rock expanses, waiting to fall. They turn like dancers on a toe. Rhododendrons are trying to grow in cracks on the stone face, and I grieve for them, too, because I have also tried to take up residence in places where the earth was too thin, and I know how long it takes to admit that it will never work. The parable which tells us about good soil is true, but it's hard to know what that means when you are only a seed with no eyes, and with no legs to choose your landing place. People talk about election and free will with such confidence, but here these little glories grow, and I feel pity no matter what is true in the transcendent realms.

And like those leaves, I have hung between heaven and earth, dizzying myself in what would hold me. Remind me that I have died. Remind me that I have been made new. And yet, these awful webs.

The weight of the water collects to a magnificent crash at the bottom, beating away at the rocks. How many thousands of years has this been here? Stone worn away by softness, for the spirit is willing, but the flesh is weak. That I want to do, I do not do. That I do not want to do, I do. And the force of gravity wears me down. It wears me down until I know I have to have some help.

It is cold today, cold that smells of pine and deciduous leaves decomposing. Branches reach out to make intermediate ceilings. A courtesy, an offer to hide me from the heavens. 

A fallen trunk is coming to graham cracker crumbles amid all colors of rocks. Water black stones, rose pink, speckled, veined, covered in green growth, rubbed with rust, and all manner of things come together like an altar unhewn, like a hymn that has listened to the seasons, with the theme of the last stanza beginning the theme of the next. 

Creation resounds. Praise him praise him, all ye blue little ferns, your eyelashes batting like a child coming out of an afternoon dream. Praise him, praise him all ye crayfish thrusting backwards into retreat, for this mountain holds the presence of the Almighty. Praise him, praise him all you terminal patients of this long, human disease, though the cold months are coming, and these are our last days. 

The over-confident walk about the halls of earth in their open-backed hospital gowns, both cheeks showing, dragging their IV's, mocking John Darby, and I don't know what's coming for sure, but good simple souls tend to know when a thing is dying because they listen to their bones, and they read the Farmer's Almanac. 

Praise him, praise him, you glory-flecked with age spots. Praise him, praise him, you with your rotten quadriceps tendon, busted it wrestling with the Angel of the Lord, you did.  Praise him, praise him, every October soul. Winter comes. And spring soon after.

"The Rebel"

(Dedicated to Rich Mullins, who loved rebels and understood them. I'm sorry you're not with us to celebrate your 60th, Rich. I sure am grateful for the time we had with you.)




I put my toes right up to the line.
I look over the edge,
and standing there I feel that sweet line of rebel fire
running through my belly.

"Aha! I say," I’m not so old
"Not so worn out,
I could throw myself off this thing and fly, and fly,
and then fall with style."
Boom!

I flirt with disaster.
I wink at apocalypses.
I stand on the street corner of law and grace
and lift up the hem of my skirt to call a taxi.

I yank two hairs out of a horse’s tail.
I throw rocks at bulls.
I eat seafood from the Asian market.
I talk to strangers.
I jaywalk.

I say terrible things just to try them on for size,
then I try on sizely things just to say I’ve been terrible.

I medicate with danger.

I develop entire worlds
in which I am some kind of protagonist,
some sort of villain,
Don Quixote in full charge
or Casanova.

But mostly I’m scared.
Afraid of not being enough in the end,
afraid of being someone’s biggest disappointment,
of scrolling through that too-long, damning letter that says,
“I thought you were okay,
But you’re not.
I had hoped you were better then you are.”

Afraid of being seen.

Adam and Eve looked down and behold, they were funny looking.

I don’t know if they laughed or not,
but when they stared into the mirror that was nailed on the backside
of the tree of the knowledge of good and evil,
they saw lumps and bumps in unfortunate places.

Eve had saddle bags and saggy
neckline
and Adam, well, he had one of those fold-over-the belt beer bellies old men get,
and lo, Spanx wasn’t around yet,
So they jimmy rigged a couple flannel shirts from the Goodwill
and then they said, “Honey, how does this look?”
“Fine, fine,” they said.

Or maybe that’s not how it went,
I get things all mixed up.

But ever since then people been looking to hide and medicate, medicate and hide,
by thrill, by will, by lies, by excuses,
by the sweat of a righteous brow hacking up dry sod,
by casting a thin line into the purple shade bank and letting the bait drop slow,
and then tickling and teasing it in,
by building idols,
by spilling blood,
instead of just running back into the cool of the day
where the Good Lord tends to walk after his supper every night
and just laying on our honest faces in the grass
and sobbing,
"I messed this all up, all up, all up.
And I'm so sorry.
I ran away, and what I found out was that I miss you.
Because apart from you, the earth is formless and void,
and there is no light, no light at all."

By Rebecca Reynolds 2015

The Song of a Sad Heart (Part One)

“ Why are you cast down, O my soul, and why are you in turmoil within me? Hope in God; for I shall again praise him, my salvation and my God.” (ESV)
Psalm 43:5

I. The Downward Spiral: What Despair Feels Like

A few weeks ago I saw a Facebook cartoon making fun of Elisabeth Kubler Ross’s stages of grief. If you've read her 1969 book _On Death and Dying_, you know how she suggests that people in mourning go through denial, anger, bargaining, and depression, before coming to acceptance. But in this image, instead of a tidy progression of predicable emotions, wild, scribbling lines were drawn all over the diagram. I looked it over and I thought, "Yeah. That's exactly how it feels. Grieving feels like chaos, and you can give the process all the names you want, but in the end, it's still going to be messy, and it's still going to be brutal."

 "The Lonely Ones" - Edvard Munch (1935) 

 "The Lonely Ones" - Edvard Munch (1935) 

After C.S. Lewis lost his wife, he wrote an anonymous book about the grieving process. It's hard stuff to read, because all his walls are down as a writer. This is Lewis the human learning to sleep alone again, and perhaps the thought that he could write without being known for himself gave him freedom to speak as a trembling peer instead of as an iron sage. He tells his story from the middle of devastation, so honest, so articulate, naming how sorrow feels inch by inch.

“[I]n grief nothing 'stays put.'" he writes. One keeps on emerging from a phase, but it always recurs. Round and round. Everything repeats. Am I going in circles, or dare I hope I am on a spiral? 
"But if a spiral, am I going up or down it? 
"How often -- will it be for always? -- how often will the vast emptiness astonish me like a complete novelty and make me say, 'I never realized my loss till this moment'? The same leg is cut off time after time.” 

If you have lost something or someone vital, you know that feeling of dismemberment. You're not just missing part of your body, you are trying to do life while being vivisected.

You do your daily routines in middle of guerrilla warfare. Triggers are everywhere. You take a shortcut through the diaper aisle after a miscarriage and sit in the floor and weep halfway through. Or a couple of months into your divorce you see a picture in the feed, an older couple holding hands, and for five whole minutes you are paralyzed, wondering how you lost everything. You're riding to chemo and you see another woman walking down the street wearing a tank top, with all her hair, with all of her body, and you lean your head up against the car window, begging the road vibrations to scramble your brain. You are in a restaurant and hear a laugh that sounds just like the laugh of the father you lost two months ago, and your chest threatens to collapse inside itself.

The world is primed with arrows pointed at the grieving, and healing takes four steps back for every three it moves forward because you never know when something is going to tear your wound back open again.

II. This Fallen House of Cards: What is God Doing With Me?

I was driving to the church a few days after my husband was dismissed from ten years of a difficult leadership position.

Our house is only a few miles away, but there is a point in grieving where motion of any sort is dangerous. I was there, volatile as a wounded animal.

In Act I Scene I of grief's trauma it's better not to speak with anyone connected to the injustice that has been done to you. I knew that from experience. I knew I didn't need to verbalize the toxic explosions churning inside me, and I knew I didn't need to be driving a vehicle 60 MPH down a highway.

In what I felt was a noble attempt to protect the flock, I lied. I wrote a letter supporting the men who had hurt my husband, asked that it be read to prevent dissension, and then I went home, lay on the floor, and cried until I threw up.

I wish I hadn't written that letter now, even if I had good motives. But I was terrified by the magnitude of my grief, and breaking up with an elder board is like a divorce. You feel an obligation to say good things about the other parent, even if you don't really believe them. You do it for the kids. I was scared of the power of what I felt, afraid that if I let the door of real truth crack open even an inch, that all the beasts of Pandora's box would come flying out, biting and stinging the children.

So I drove to the church alone, when I knew nobody was there. I wanted to see the building one last time. I wasn't strong enough to hurt a building. I wanted to put my hands on those bricks, and let my soul accuse them of what they had done, even though I couldn't ever go back inside the walls.

Wild surges of shame, fury, and fear were taking turns pulsing through my heart. The faces of people I had once trusted, lost friends that I now saw as traitors flashed before me. Their smiles distorted like images from a haunted house.

“God, what are you doing to me? I trusted them! They asked to hear how we were doing, and I trusted them! If I can't trust them, I can't ever trust anyone. I will never feel safe again. I will never let anyone know me again!"

My fists slammed the steering wheel and tears filled my eyes. I could barely find the road.

When despair comes to us, it doesn't just make statements about what has hurt us in the past, it makes damning declarations about our future. It  shoves its hand down our throats, reaches around to our hearts, and rips out our hope.

I think that what happened to our family that summer was wrong, and yet, this terrible circumstance orchestrated by flawed human beings ended up being the very machine God commandeered to reveal infections that I didn’t know were inside me.

The first of those infections was that I didn't trust God. I didn't believe he had my best interest in mind. As people let me down over and over again over again during those ten years, I began to push questions about Divine love down inside me along with those human wounds. I started wondering if I was just the sort of person God didn't like protecting. Wondering if my mistakes were too gross, and if I was repulsive to him. Wondering if I was just one of the disposable ones, a jar of clay to be used and tossed away after a bigger story was written for other people.

Like Eve, I didn't believe God loved me enough to give me what I needed. What He withheld felt like a lethal loss. What He gave felt insufficient.

When all of life's pressure landed on the weak link of my doubt, despair blew me open. My invisible cracks widened. What I had never believed, not really, rose to the surface. There it was, in light and color, twenty feet tall, broadcast onto the sky. The whimper of doubt that I had once been able to smother broke free and became a scream.

God loved me enough to use a terrible circumstance. What was done to destroy me, he used to instruct me instead. The unfaithfulness of humanity was bent. He broke it like a wild horse, turned it around to show me a lie I was believing.

Lewis writes: “God has not been trying an experiment on my faith or love in order to find out their quality. He knew it already. It was I who didn't. In this trial He makes us occupy the dock, the witness box, and the bench all at once. He always knew that my temple was a house of cards. His only way of making me realize the fact was to knock it down.”  (C.S. Lewis, A Grief Observed)

(to be continued in part two)

The Pilgrimage

There are places where I choose to praise God; but walking at the ocean is walking in on the middle of the worship service. 

At the seaside I am a Methodist stumbling through the doors of an apostolic revival, the salt wind does up my hair, beats my shirt against my stomach, threatens to pick me up off my bare feet and toss me like a baby into the arms of the angels. 

Blown sand stings my legs and sticks to them, because I am made of earth, and the ocean seems to remember my humble origin, teasing me, sucking at my toes with her foam, and whispering (in case I have forgotten) that my beginning and my ending roll in and out like the tide, for a day is like a thousand years and a thousand years are like a day.

But God has hidden his glory in  pot-bellied, knobby-kneed pieces of clay, and every day the ocean sees the cycle of our kind. We are at our most human with her. She receives our little chunky butt toddlers with flutter skirts while they carry yellow buckets of her water to the castles she will wash away in a few hours. She pulls at the old bones of old souls tottering against the breeze and threatening to capsize.

We trust her too much, I think. We trust her like that friend who says exactly what she thinks, for the ocean is no saint, this minister of tsunamis, haven of hermaphrodites and two-headed mutant things. She births deep sea vent worms, and coal black nightmare fish with sunken eye spots, and cannibals who eat their own young. 

We pretend to preside over her with 103 lb teenagers sitting on lifeguard chairs. Their little, muscular, roasting bodies are poised, watching fat guys on floaties trying to get wi-fi, dangling white soft legs into the wild. 

Yet deep calls to deep, angling the soul to find 5G somewhere in heaven or earth. Waves touch my shins, and I consider the life energy of all bodies standing in this water through all time. 

Have we always come to the ocean needing to reinvent ourselves? To escape ourselves? To be baptized into something new?

When I come to the ocean, I can never relax until the third day. Maybe it's the curse of the firstborn, but I am shaking off work for seventy or eighty hours. I can't sleep. I can't laugh. The ocean has to teach me again to be wild, to be dangerous, to breathe, to resign, to absorb those surges that smack me in the back, knock me down, give me tactile proof that I am not fleshly whole nor holy flesh.

This is why I and my fellow pilgrims collect, and traveling to Canterbury, we weave through one another, smelling our coconut sunscreens, hearing bits of our interchanges, the crescendo and decrescendo of ten-second intimacies. 

Today it was a gay guy and his girl friend, and he was telling her about the last fight he got into at his dad's place with his boyfriend. He said he threw the other guy across the room. Literally threw him. Broke some stuff. His dad got mad. Said they couldn't come back. And everything was f-this and f-that, before I moved on.

And yesterday that guy in the baseball hat looked around when I was talking on my phone and broke down into tears, saying that I was just scared and disappointed with the way The Lord had done some things.

At the ocean we notice about one another what we wish we didn't, Noah in his drunkenness, and spiritual desperation, and relational failure, and jello bottoms swinging dimpled out of tired bikinis.

The locals are rotisserie-brown beach folk, caramelized and crunchy. And there are sturdy peasant bodies with short, strong hands that I can't help but visualize squeezing Jersey cow udders. If they weren't wearing Ohio State shirts, they would have names like Peggoty and would play milkmaids on the BBC.

A willowy romantic carries her hard-bound book into the waves. Long dark hair twisted into a knot.

There is a woman tall and angular, spray-tanned, too skinny and dyed blonde. Her arm is cooly woven through a man's. She doesn't love him. He is an accessory. Implanted breasts are the only softness protruding from an expensive red bikini. I don't like her. Her head is too high; it floats on her neck. This has cost too much for her, I think.

Beautiful, deep chocolate bosom larger than my legs. It makes me feel less female than I am. I envy her exotic beauty, high, African cheekbones and satin skin that looks as if it wouldn’t wither in a hundred years.

Eighty-something white woman walks the coast in a two piece. Skin hangs like a paper fan folded. She has the spiked white hair of an athlete.

Someone's mom wears a grey cotton sports bra with an ipod tucked against her sweaty boob. Her stomach pours forth beneath it, then tucks itself into a bikini bottom at some indeterminate point. She dares the world to comment. I envy her abandon.

Mullet man sitting beneath a tent. Skynard blasting. Surrounded by made-in-China flags, one dug into sand for every branch of the military and the POW’s. He leans back in a folding aluminum lawn chair, owning something defiant by the way he holds beer in a cozy.

There are perfect twenty somethings. They are confident in the parenthesis of being exactly the right age for the beach.

Peach-fresh thirteen-year-olds, watching the twenty-somethings. Is he looking? Giggle. Is he looking?

Couple in love. Intertwined. They are the only two people in the world.

Family speaking Spanish, casting lines. They are catching good things. Happy children help bring in the food. They are adored, and it's little wonder. Such huge, deep eyes.

Forty-something and fighting it. Running shorts. Tight legs stretched into fibers. Determined.

Two sisters. The lesser beauty multiplied with a tossed smile. The greater negated by self-absorption.

Old man. Plaid shirt tucked into pressed khakis. Calisthenics. Arms up. Two steps. Arms out. Two steps. Fingers curled. Wrists in a circle. Two steps. Smiling and nodding, left then right. Left then right.

Asian couple. She wears a huge straw hat and shirt buttoned up to the neck to shelter porcelain skin.

Drunk frat guy dancing with abandon. His friends are laughing. He’s got some good moves. I want to dance, too.

Slathered redheads sizzling like a plate full of fajitas.

Little girl crying. Pink blow-up floaties on her arms. She has sand on her hands, and it bothers her. She needs a nap.

Women on their stomachs. Bikini straps undone. 

Guys strutting in threes. Looking at girls.

Bocce families. Frisbie throwers. Kite flyers.

Introverts with Kindles and terrific hats.

Pack mule dads looking tired, shoulders burned, carrying four chairs, two floaties, and a toddler.

And me. Walking too white. Forty-three. I don't like my feet, and I'm wearing sunglasses to cover the flaws around my eyes.

All this flesh of ours. Comedic and syncopated. Nice people aren't supposed to notice any of these things, let alone write them down, but I do notice, because we are all so wonderful except for that proud woman who bought her confidence on a surgery table. 

God, forgive me for my indifference toward her, because I think maybe You would love her most dearly because she has sought love most desperately.

Today I was reading about the Boltzmann brain theory, a spontaneously generated consciousness that has a one in a bluebajillion chance of kerplowing into existence if the world hangs around dying long enough. 

And I laughed at first to read it, because it's the the story of the Emperor's new clothes, isn't it?Physicists toss dice about the simplest of possible things while Einstein rides through town, down along the coast in a Speedo, a living, breathing wonder.

We are all near-naked kings and queens at the ocean, fool, parading pilgrims. And you can claim agnosticism if you like, but if you had seen my daughter hit the hole-in-one on that lucky shot playing pirate putt putt, you would have laughed at the novelty of it instead of doubting in the existence of golf balls.

Still, he loved us before we loved him. He always has. And He loves us still. 

So he gave us the ocean to tickle our arms with the salt wind, whipping up the coast to a froth against our ankles. He spins the moon on the tip of his finger to send the she-tide sighing like a prophetess to Nineveh.

And we resist, and we yield, and we resist, and we yield, pushing our hair out of our eyes, and letting the salt water wash into our hearts. 

Come, Living Water. Come show us what it all means. For the sea is only a glimmer, like light caught on a point of a wave.